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Reading Time for this week's Sunday Coffee: 8:22
Paying Your Dues Is Overrated
By Eric Rhoads
The morning air carries the sound of an aluminum motorboat that moves slowly across the lake with a slight, muffled hum as it penetrates the remaining fog resting on the water. Steam rises from my coffee cup, resting on the arm of my 100-year-old Adirondack chair on the dock. There’s something about Sunday mornings that makes the world feel full of possibility.

The Dream That Wouldn’t Die

At 14, I fell desperately in love with an impossible dream: becoming a radio DJ. Not just any DJ — a star. I wanted it with the kind of burning intensity that only teenagers can muster. While other kids played Pong, I practiced my craft with religious devotion. When songs came on the radio, I’d talk up the intros like I was broadcasting to millions: “This is Eric Rhoads, your favorite DJ, and here’s a brand new record from the O’Jays.”

My secret weapon was a K-Tel record album — one of those compilations that crammed 20 shortened hit songs onto a single disc. Perfect for practice. I could rehearse talking at the start and end of records, 20 songs in a row, pretending I was the voice that connected people to the music they loved. I did it for hours on end, day after day, week after week.

Breaking Through the “Impossible”

I managed to land a volunteer spot at a college radio station while still in high school. They gave me the Saturday-morning shift — the graveyard slot when college kids wanted to sleep off their Friday-night adventures. I didn’t care. I would have worked any shift, any time, for the chance to be on the air.

But breaking into commercial radio? That was the real mountain to climb. I was young, inexperienced, and competing against 150 other applicants for every job. The industry veterans all said the same thing: “Kid, you’ve got to pay your dues. Don’t expect this to happen fast.”
I refused to accept that timeline. While everyone insisted I had to spend years climbing the ladder, rung by rung, I was determined to find a different way up.

When Your Kids Echo the Old Wisdom

The other day, one of my children said something that stopped me cold: “Dad, I have to pay my dues first.”

Watching my kids navigate the job market has been both fascinating and frustrating. Two have just graduated college, while the third chose the school of hard knocks — and we’re proud that he’s working and surviving. The college graduates constantly remind us that the job market is “different than it was when you were young.” They roll their eyes when we offer advice, convinced we’re digital dinosaurs who couldn’t possibly understand their world of online applications and radio silence.

“Dad, all applications are online and you get ghosted. You don’t even hear from them,” they tell me with the weary resignation of defeated warriors.

The Tests You Don’t Know You’re Taking

Here’s what might surprise my kids: I lay traps for job applicants. Deliberate ones.

I’ll set appointments and then cancel them, just to see who reaches out again. Most never do. During interviews, I give project assignments: “Send me a one-page PDF outlining how you’d excel in this role.” The majority never complete the homework. When there’s mutual interest, I’ll say, “Call me Thursday.” Then I don’t answer. I count the messages they leave, track how many times they call back.
The ones who don’t give up? They get offered the job.

Because persistence almost always wins. Creativity almost always wins. Resourcefulness always wins.

The Unexpected Hearse

My late friend Rich Marston understood this principle better than anyone. He wanted to land a particular car dealer as an advertiser — a potential goldmine account. His first call ended with a rude assistant hanging up before he could even speak to the owner.

Most people would have moved on. Rich saw it as a year-long project.

Every weekday, on his way home from work, he stopped by the dealership to try to see the owner, leaving a note each time. For an entire year. When that still didn’t work, Rich got creative.


One day, a hearse pulled up to the showroom. Pallbearers carried a coffin inside. The owner ran out, shouting, “You can’t bring that in here!” That’s when they opened the coffin to reveal Rich lying inside with a sign: “I’m dying to get your business!”

The dealer burst into laughter. He’d been testing Rich’s persistence all along, keeping every single note he’d left. Rich walked away with a massive contract and a friendship that lasted years.

The Myth of the Must-Haves

My kids are trapped by “musts”: You must have a degree, you must follow certain rules, you must apply through proper channels. Yes, if you’re becoming a doctor or lawyer, credentials matter. But even then, they’re not enough when 3,000 other qualified people want the same position.

You have to find a way to stand out, to be remembered, to create an interview experience so exceptional that people can’t stop thinking about you. It starts with finding a way to get noticed, to slip through the door, and to rise above the sea of identical applications.

The Quiet Man Who Knows Everyone

My artist friend Guy Morrow is the most connected person I know. He can reach anyone on earth and seems to know everybody, yet he’s quiet and unassuming — the last person you’d expect to be a networking powerhouse.

When Guy first called me, I was looking for a polite way to end the conversation. Within two minutes, he had charmed me, found our common ground, and somehow turned a cold call into the beginning of a friendship. Before long, I was spending weekends painting with him. We’ve been close friends ever since.

Guy never felt he didn’t deserve someone’s time. He never assumed he couldn’t reach someone. He simply believed that connection was possible and acted accordingly.

The Doors That Never Open Unless You Knock

Most people defeat themselves before they start. They assume they can’t reach someone important, so they don’t try. They tell themselves, “They don’t want to talk to me,” or, “I’m not important enough.” But at the end of the day, we’re all just people.
Believing you can accomplish anything and reach anyone is one of the keys to a rich life. Not every door will open — but none will open if you don’t knock. Following standard procedures is for ordinary outcomes. The people getting extraordinary opportunities are the ones trying creative solutions to tell their story.

The Weight of Chances Not Taken

Is there a time you can recall when you didn’t call, didn’t ask, didn’t take a chance — even though it was something you desperately wanted?

Can you remember a time when you walked through a brick wall because you wanted something so badly you could taste it?

I cringe when I think about the opportunities I let slip away because I was too insecure or shy to pursue them. I used to say, “That’s just who I am,” until I got sick enough of failing that I decided to change that part of who I was.

The Philosophy of the Possible

You deserve the best possible life, the best opportunities, the best job. There may be others more qualified on paper, but you are special — and you need to make sure others know it. Don’t let anything get in the way of that truth.

Think big. Aim high. Never, ever give up.

There is always a way. Always.

The question isn’t whether the path exists — it’s whether you’re willing to find it, create it, or, if necessary, blast your way through solid rock with nothing but determination and a refusal to accept no as a final answer.

What door have you been afraid to knock on? What dream have you been too “realistic” to pursue? Sometimes the biggest barrier between you and everything you want is the word “impossible” — and that’s a word you have the power to erase.
Eric Rhoads
Publisher
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P.S. The Sweet Revenge of Proving People Wrong

My favorite thing in the world is to prove someone wrong. There’s something deliciously satisfying about watching doubt transform into shock, then grudging respect.

My aunt once looked me dead in the eye and told me I wasn’t cut out for radio, that I should pursue “something more realistic.” I remember the sting of her words, followed immediately by a burning thought: “I’ll show her.” Two weeks later, I had my first radio job. Maybe she was intentionally lighting a fire under me, but I believe she was just one of those people who discourage others to make themselves feel bigger and more important. We never really saw eye to eye after that.

The naysayers came out in full force when I wanted to start PleinAir Magazine. “The market’s too small,” they said. “Art magazines don’t make money.” I loved watching their faces when the first issue arrived — glossy, professional, everything they said couldn’t be done. The same skeptical chorus sang when Fine Art Connoisseur launched. You might love to subscribe.

But the biggest wall of doubt came during the COVID lockdowns, when my business was crashing and I proposed moving our conferences online. “That will never work,” they declared with absolute certainty. “You’ll be bankrupt within months.” Those online conferences worked like a charm, not just saving my business but creating something even better than what we’d had before.

When COVID restrictions lifted, the chorus changed its tune: “People won’t continue to support online events now that they have to get back to work.” I almost believed them, and came within hours of deciding not to continue our online conferences. At the last minute, I decided to trust my gut instead of their fear. Forty thousand people later, I’d say those live events continue to be a massive hit.

Now they’re telling me my next venture, the one-day, $49 Gouache Live, is “too narrow — it will never work.” Yet registrations have already exceeded some of our biggest online art training events. Funny how that keeps happening. Scott Christensen and other master artists are teaching, and if you’ve ever wanted to explore the luminous world of gouache painting, join us for a day on August 23. Visit GouacheLive.com and help me prove the doubters wrong once again.

P.P.S. Want to Paint the World Together?

Picture this: the peak of Wisconsin’s fall color explosion, when every tree looks like it’s been dipped in liquid gold and fire. Lake Michigan stretches to the horizon like a pewter mirror, dotted with weathered fishing boats that tell stories in every rope and rust stain. Historic lighthouses stand sentinel against rocky cliffs, their white towers cutting clean lines against skies that shift from cerulean to storm-gray to sunset amber within a single afternoon.

I’m proposing we meet up there to capture it all together with our plein air easels — you, me, and about 98 other artists who understand that some experiences can only be lived with a brush in hand and shared with the best of friends. We’ll paint the lighthouses, the Great Lakes fishing boats, those magnificent rocky cliffs, and whatever else calls to us in that magical light that only happens when autumn peaks.

Think of it as summer camp for adults who paint, except better — because we’re putting you up in a waterfront resort, feeding you well, and giving you a week to immerse yourself completely in the kind of painting that reminds you why you fell in love with art in the first place. I’m looking forward to the apple cider, too.

Most spots are already claimed, but there’s still room for a few more kindred spirits. Join me at www.FallColorWeek.com and let’s create something beautiful together while Wisconsin puts on its most spectacular show.
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Who Is This Guy Eric Rhoads?
Eric Rhoads is the founder and publisher of PleinAir Magazine and Fine Art Connoisseur Magazine (both on newsstands nationally), author and host of six Art Marketing instruction videos, writes a blog on Art Marketing, and is the author of the Amazon bestseller Make More Money Selling Your Art. Additionally, he produces the weekly e-newsletters American Watercolor, Fine Art Today, Inside Art, PaintTube ArtNotes, Pastel Today, Plein Air Today, and Realism Today. Eric hosts the in-person Plein Air Convention & Expo, the Fine Art Trip for art collectors, and painting retreats including Paint Adirondacks, Fall Color Week, and the Winter Art Escape, as well as online virtual events Acrylic Live, Pastel Live, PleinAir Live, Realism Live, Watercolor Live Digital Painting Live, Gouache Live, and Art Business Mastery Day. He is also the producer of the PleinAir Salon Online Art Competition and art instructional courses through PaintTube.tv. Each weekday Eric hosts Art School Live, a YouTube show featuring free demos from a variety of artists, and he is host of the PleinAir Podcast and Art Marketing Minute Podcast. Eric is a plein air, landscape, and portrait painter with works at Castle Gallery. He is heavily involved in the radio industry as founder of Radio Ink Magazine as well as Radio + Television Business Report, the Radio Forecast Conference, and the Hispanic Radio Conference. He is the author of the bestselling book Blast from the Past: A Pictorial History of Radio’s First 75 Years. Eric lives in Austin, Texas, with his bride, Laurie, and they are the parents of triplets. Learn more at EricRhoads.com, or see Everything We Do.
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